From the monthly archives:

February 2010

Notes on BlazBlue

by ETERNAL on February 27, 2010

[nejime]

I might be late to the party by a year or two, but I recently got my hands on a great arcade stick for the X360 and a copy of Arc System’s latest stylish 2D fighter. Now, I realize that this isn’t a gaming blog, but something about BlazBlue has piqued my curiosity.

For one, the game feels suspiciously catered to anime fans, and not in a bad way. To prove my point, you’ve probably already heard of it, or at least seen some pictures – like Guilty Gear’s Bridget, some of the characters and inside jokes make it out of the fighting game community and into the general otakusphere. The story mode also seems strangely fleshed out, though it’s still too early for me to comment on the plot.

At any rate, BlazBlue definitely isn’t beginner-friendly, but it seems to contain quite a few treats for the anime fans in the audience. Most of my attention is focused on learning how to play, but I can’t help but notice how polished the game feels outside of its core gameplay. Besides, with official art like this, how can you go wrong?

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It’s hard to pinpoint what it is about Touhou that draws people to it. Somewhere within the unique character designs, quirky personalities, stylish music and skillful game design lies the secret that made ZUN the otaku culture star that he is. However, the incredible popularity of his franchise has resulted in an interesting phenomenon among his fans: primary and secondary fandom.

I’m not sure how official this terminology is, but in general, Touhou fans can be divided into two categories: the people who enjoy it for the fan works and the memes, and the people who enjoy it for the source material. It’s essential to delve into both categories if you want to experience everything the franchise has to offer, but considering how mainstream it’s become, it’s safe to say that many of today’s Touhou fans shy away from the original games out of fear. I can’t blame them, either: bullet dodging is scary stuff. It’s tough for gamers, and it’s even tougher for non-gamers.

Regardless, you’ll be the one missing out if you don’t bite the bullet and try to grasp the intricacies of ZUN’s game design. After all, little girls shooting fairies can only take you so far – the beautiful chaos of the game’s extreme side are as important as any amount of techno remixes and yuri doujins. If you think you’re up for the task, read on for a few tips on how to experience Touhou fandom through its intimidating yet exhilarating source.

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[eltinidordediyablo]

I missed a lot of the buzz surrounding Gurren Lagann when it first aired. I knew about the drills and the dramatic quotes and episode 8, but that was it. It seemed like one of those shows that my friend was always talking about: big, colourful robots that fuse together and punch the lights out of other big, colourful robots. To be honest, I expected to hear cheesy brass-filled BGM when I finally watched it, and I was more focused on how over-the-top it was instead of on the story it was trying to tell.

Of course, it’s a bit late to be talking about a series as popular as this, but the pair of summary movies allowed me to see the story in a different light. It’s interesting to see how much sense it all makes when you’re not caught up with Kamina’s manliness and Yoko’s breasts. In fact, when I witnessed the epic conclusion for the second time, something clicked in my head that hadn’t clicked before.

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Captivatied by K-ON, again

by ETERNAL on February 12, 2010

Captivatied by K ON Again Captivatied by K ON, again

It’s been almost a year since K-ON first aired, but I feel as if I never got to say what I wanted. Sure, I have an opinion on the show, but it’s lost in cyberspace, drifting around in comments here and tweets there. I want to put things down on paper, figuratively speaking. I want to put things down in a place that I’ll remember.trans Captivatied by K ON, again

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OEL Visual Novels and the Gamble of Monetization

by ETERNAL on February 9, 2010

[raemz]

I could call myself a fan of OEL visual novels. True, I have never played one that genuinely impressed me outside of the comedy/satire genre, and I’m naturally biased toward the medium considering my own endeavour in it, but it’s safe to say that there are a few pleasant creations out there. Ren’Py has been around since 2004, and a lot of amateur writers and artists have tried their hand at the tedious but ultimately rewarding task of creating a visual novel.

Considering that the community has an ever-growing archive of Ren’Py-created games, it would seem as though everything is in order. As a consumer, however, this might not be the case. As much as I hate to say this, some developers might be trying to step into the professional world a bit too soon.

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The Impact of Gateway Anime

by ETERNAL on February 6, 2010

[banpai akira]

I don’t usually reflect on my own history as an anime fan, but something occurred to me the other day. What is the significance of a gateway anime? What kind of impact does a person’s first experience with a medium have on their enjoyment and preferences of that medium? Most fans who choose to pursue anime seriously become more well-rounded over time, but I think that the early experiences are given less credit than they deserve.

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