From the category archives:

Commentary

From Me to You with Kimi ni Todoke

by ETERNAL on October 21, 2009

Kimi ni Todoke[110 gou]

Kimi ni Todoke doesn’t jump out at me. It doesn’t make my heart go aflutter; it doesn’t make me want to sit in front of my computer with a box of chocolates in hand.

And yes, that’s been known to happen.

But even without the bittersweet pining and the hesitant blushing and the warm acoustic guitar, the show does have something.

It has heart.

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Seitokai no Ichizon

Seitokai no Ichizon is masturbation in every sense of the word except the literal one. It’s as meta as meta can be, as counterproductive and pointless as a dating-sim parody of Comic Party. I don’t expect there to be anything original in Seitokai; I don’t expect it to be occasionally heartwarming like Lucky Star or occasionally bittersweet like Genshiken. You’d have to search high and low to find something that has less of a plot.

And yet, I’m writing this post with nothing but praise in mind. Does that say something about me as a fan? Technically, yes – but don’t forget that there’s more to entertainment than objective quality.

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On Power Levels and Mary Sues

by ETERNAL on April 26, 2009

saki-mary-sue-post-1

It’s a Saki post in disguise!

If there’s one thing we know about anime, it’s that everything seems more exciting in 2D. The beginning of a school year doesn’t mean less free time and more math homework, it means encountering a mysterious transfer student under an eternally blossoming sakura tree! Being a maid isn’t about doing tedious housework that no one wants to do, it’s about serving your master and tending to his psychological needs! (Or in some cases, protecting your master through whatever bizarre means necessary.)

Likewise, in the world of anime, mahjong is not just mahjong. It’s epic mahjong. In fact, it’s epic Crazy Loli Yuri Mahjong. But is this trend to lean towards the over dramatic a good thing? How does the use of extreme exaggerations affect the viewer, especially when the line is crossed by a mile?

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eden-of-the-east-33

I’ll admit: there will always be genres that I like more than others, regardless of objective quality. If it isn’t already obvious, I’m the kind of person that likes to dissolve into 13 episodes of rabu-rabu or moe-moe, and if not, I can only hope that the show will be funny enough to entertain me.

But of course, there are exceptions to every rule, and I think Eden of the East fits that bill for this season. Even aside from the unique premise and above average portrayal of America in terms of realism, it didn’t take long at all for the show to captivate me. It should come as no surprise, seeing as it’s an original story from the director of the Ghost in the Shell TV series, but the first two episodes really have exceeded my expectations.

However, the fact remains that there is precious little to say after only a few weeks, so I decided to try something familiar: taking a closer look at the opening and ending sequences and seeing what little treasures I could find.

And believe me, there’s much more than meets the eye.

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K-ON: How To Make A Simple Thing Good

by ETERNAL on April 12, 2009

k-on-first-impressions

K-ON: it’s the show everyone is talking about. While not directed by Tatsuya Ishihara of KeyAni fame, the fact that it’s being produced by Kyoto Animation is enough reason for the fans to go figuratively wild, and when you add the distinct moe character designs and the simple yet appealing slice-of-life premise and setting, it should come as no surprise that K-ON is one of the most fervently discussed – if not praised – shows of the current season.

However, while naysayers do exist (and the minority always has its way of making its voice heard), I’ve fallen for this show after a mere two episodes. Certainly, the series isn’t technically good by any means, and I can’t think of anything truly original that it’s accomplishing – but therein lies the answer. Why do I like K-ON? Because it’s simple, and without doing much of anything, these first two episodes have already provided me with far more entertainment than I dared ask for.

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Toradora: A Story of Contradictions

by ETERNAL on January 17, 2009

toradora
It’s pictures like this that can hold the viewer back from seeing what the series really is.

In case you haven’t caught wind of the hype yet, I’ll start with this: Toradora is definitely among the more unique romantic comedies that’s aired in recent time, and it does an excellent job at playing with stereotypes. Like with everything else, there are probably a few naysayers in the audience, but by and large the show has gained its fair share of respect. With charaters that look shallow on the outside but contain much depth on the inside, skillful writing that’s both believable and entertaining, and an all-around solid presentation that accomplishes everything that one would expect from the genre and then some, it’s a show that I would recommend to most anyone.

However, something dawned on me while watching the fifteenth episode the other day. It’s a little something that’s been in front of me all along, yet took me this long to notice: a little something involving Vanilla Salt and a neatly-woven tale of preconceptions.

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