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Aoi Hana 12 Days 12 Moments of Anime #5: Conspicuity in Cataloging, Sweet Blue Flowers[ame]

Aoi Hana was a spectacular show, easily my top pick from the summer season. It inspired a lot of thoughts in me, too, which I recorded in the post that the awkward pun in the title is referring to.

Interestingly, 2009 was pretty much my first experience with the yuri genre, and I think I’ve learned my way around the tropes in the past year. Marimite was good, no doubt about that – the symbolic memes of ribbon-adjusting and “walking slowly is preferred here” define what shoujo-ai is all about. In fact, I don’t think it’s wrong to simply call Marimite a definitive piece, despite the origins of the genre reaching back to the 70s and 80s.

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Saya no Uta 2009

[viola]

If you’re reading this, you’ve probably heard of Nitro+. You probably also played Saya no Uta when it was translated at the beginning of the year.

If you have done those things, then chances are high that your mind will never be the same.

I wrote about the game when I first finished it, but it’s hard to capture the story’s psychological intensity without experiencing it first-hand. Much like Ryukishi07′s When They Cry, Saya’s twisted story is a great example of how to do psychological visual novels right. That said, Saya no Uta does drift more toward horror and fantasy than Umineko‘s mystery, but the end result is the same. For the <10 hours it will last, I would be surprised if the sound of Saya’s song does not leave your spine chilled.

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The Golden Witch[鴉子]

Ah, When They Cry. What would we do without you? We’d all be slightly more sane, probably, but we’d also have missed out on an innovative and suspenseful story that goes beyond the proverbial locked room and doesn’t pull its punches until it’s too late.

Higurashi no Naku Koro ni was a great show, and I’m sure it was seen as unique when it first aired. It’s hard to not feel disconcerted after being treated to a full serving of killer lolis, complete with a bloody hatchet on the side. Along the same lines, Umineko no Naku Koro ni really took off in 2009 with the development of the story in the games released in Japan, the speedy translations of Witch Hunt, and the controversial anime adaptation.

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12 Moments of Anime #8: Keionbu and Gakuensuki

by ETERNAL on December 18, 2009

K-ON group picture

[shino]

I hope you didn’t facepalm when you heard the word “keionbu.” If you did, you probably won’t like what I’m about to say.

K-ON was a bit more controversial than most moe shows, and needlessly so. While its premise isn’t anything unique, the over-the-top presentation and glorification of moe was a bit too much for some to handle, forcing it to play the role of either a punching bag or an object of worship. From a meta perspective, it was pretty much a scapegoat for moe haters and fans to attack and praise.

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Brass Restoration (5)

Brass Restoration is what I would call a hidden gem. It’s a game that flew right under the radar, despite being translated by TakaJun of Mirror Moon and Kara no Kyoukai fame. I spent about half a post talking about the game when I first finished it, but I never did talk about the themes or story since it’s fairly self-explanatory.

I think Brass Restoration‘s most distinctive trait is the fact that it’s self-conscious. That might sound like a bad thing, but for a doujin visual novel targeting fans who have already played their Key and Type-Moon and Circus, sometimes it’s more important to be different than good.

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Mobile Suit Gundam - Char's Counterattack

In 4chan’s words, I’m a newfag. Or a moefag, however you decide to put it. Like many of the /jp/ denizens and unlike many of the most established editorial bloggers, my area of preference – and my specialty – will always be within the modern moe/eroge scene.

However, as we all know, level grinding to increase only one stat well result in a terribly unbalanced character. Unique skills are only useful when they can be backed up by a decent foundation. Knowing this, when I finally finished my initial trek through the world of VN adaptations and my favourites list was more or less solidified, I decided to take a journey through the annals of history – to the days before I was born, to VHS and beyond.

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